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A necklace named Paprika.

Tattoos are commitment, de la vida a la muerte, inked deep in the skin. Pearls are more frivolous and transient. They sit on a neck, then, the second after, hide in a bed or roll under a chair. Playful toys, they are. Look at the way rings escape fingers in a lengthy meeting, as if willing to throw the dice. And bracelets can collapse on a wrist and soon slide backward along a forearm, as if on a toboggan.

Pearl necklaces are lovers. Some are authorized to spend the whole night; others are abandoned on a bedside table. And earrings, like gloves, can turn orphans, but we keep them anyway. Light in allure, jewelry is filled with meaning, symbolism, and ancestry. Grandmothers and mothers-in-law pass on their treasures for pearls to outline the curve of a neck beneath a mass of somber hair.

Green glass beads spiced with paprika and pearls are little beasts of black magic. They capture and reflect light, bring familiarity to the foreign, intrigue to the random, and they whisper the way words build poetry, and music dresses up silence.

Photography and text Claudine Boeglin















Photo credits: All paintings reproduced for this essay are courtesy of the National Thyssen-Bornemisza Museum in Madrid. Its permanent collection covers art from the 13th to the 20th century. The necklace Paprika was granted a stage at the table of Madrid’s unmissable literary café, Café Comercial, as well as at the classic Taberna Real Restaurante, Plaza de Isabel II. It made its way to the bedroom of the elegant cottage Recovero House (Airbnb), a gem for hiking getaways in Los Molinos, and enjoyed the late-afternoon sun at Mi Venta, a restaurant and terrace, Plaza de la Marina Española in Madrid. Also featured: the Real Jardín Botánico and the Real Monasterio de la Encarnación in Madrid; and the Santa María la Blanca Synagogue and San Juan de los Reyes Monastery in Toledo.

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